Review: Howler – America Give Up

Martini’s, Mad Men, protests and surf rock…The 50s are back.

First it was Alex Turner’s hair, then The Vaccine’s baseball jackets but now its Howler‘s debut Give Up America claiming the throne. A quintet from Minneapolis, the barely-out-of-puberty band have created THE sun-drenched rough and ready record for the summer.

Taking influence from rebels of the rockabilly years, the record ripples with hand-claps, sweet melodies and plenty of feedback. Youthful exhilarating energy and cock-swinging bravado puts miles between them and The Drums, who in comparison, now seem as edgy as frosted tips.

With 11 songs in 32 minutes its a fast, brash ride, yet one without loss of song quality throughout. As American as stone-wash denim, the album not only reminds us of all that’s great with our stars and stripes friends, but that like Elvis, hyper snarly guitar lives on..

Catch Howler on tour now..

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The Maccabees- Given To The Wild review

‘Wild’ is not the right word for it. Sure, its a bit more rock n roll than the word ‘plotted’ but the stroke of genius that is Given To The Wild seems less like a frantic session of intoxication and lost hours in the woods then it does a well-manicured, Korean-military executed operation.

An interesting restraint in the vocals highlights the eloquent lyrics, and the multi layering and build up of the album steers it straight into radio-friendly town. Caressing your hair with familiar almost Yannis Philippakis borrowed vocals, Grew Up At Midnight begins by gently easing you in, but suddenly the floor is pulled beneath you and your free flying through an almighty drumming chorus.

Ayla is not only so incredibly melodically gorgeous, but it shows off the bands pitch-perfect harmonies a choir-boy would envy. Sure to highlight many a festival this summer, Pelican sets off in jaunty bursts that hurtle into a glorious gallop.

The beauty of the album for this author lies in The Maccabees underrated ability to drive, and surge forwards with each track, like a warm Californian wave engulfing you. Pant-wettingly good, the London lads have delivered  a thrilling, rewarding listen.

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Introducing… Fixers

Meet the latest export from Oxford set to seize your heart and mind with the power of wonderously glorious sounds, Fixers.

Dipping toes into as many variety of genres as a BBC6 playlist, this 5 piece band have attracted deserving comparisons to Beach Boys, MGMT and postcode buddies Foals.

You can stream their EP ‘Imperial Goddess of Mercy’ on their facebook page where they are giving away a free track to download. Tidy.

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December Sessions: Highlights

100 Bands, 20 nights at The O2. I cant say I manged to figure this out, but someone with an insane amount of time on their hands calculated that by the 20th day this means:

  • 5107 ft of cables
  • 2400 bottles of water, 1800 bottle of cider, 600 towels, 800 meals
  • 200 guitars, 2 drumkits, 200 plectrums, 750 Sennheisser Headphones
  • 150 vocalists
  • 30,000 people per day will visit The O2; 10,000 will pass through the piazza 
  • 1320 songs played
  • 8735 miles travelled by bands
  • 4052 minutes of music performed
At this point in time however, we are just halfway through, so here is the weekend catch up vid so you can see what you missed:

December Sessions will be on, for free, at the O2 until 22nd December.

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Meet the most exciting breakthrough for 2012..

On first hearing this track I’m gonna dare to guess your first 3 thoughts might be: 1) Great teeth. 2) Ooh girl got a potty mouth 3) Goddamn this beat is sick.

At just 20 Azealia Banks has already stolen the thunder from (so last week) pouty Del Ray to become the most anticipated new artist emerging for the new year. Responsible for bringing exciting Hip Hop back to the forefront its clear she has the balls, but its the understated raw, refreshing manner in which she spits her slippery rhymes that should frighten the lashes off the glossed and shiny Minaj’s, Kim and Gagas of yesterday.

A stripped back production, a fierce voice and those eye-watering lyrics, 212 promises a thrilling year for the Harlem artist.

Azealia will be touring the UK with Two Door Cinema Club, Metronomy and Tribes from February 8th. See all dates here.

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December Sessions at the O2

The O2 have just announced an exciting new event which will see 100 new bands play 20 nights for free on a specially constructed stage in London Piazza at The O2 Arena.

The nights are FREE and will feature a who’s who of the hottest new acts emerging. The event is aimed at not only providing their attendees with vibrant new music, but also giving the artists a chance to play one of London’s top venues to capacities exceeding 4000.

The sessions run from the 3rd -22, check out all info here

 

 

 

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This week’s Squeeze

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Introducing….Reptar

Like to throw a shape do ya? Tear up that dance floor with some drunken yet expertly executed moves set to stupefy that prospective mate into a lustful trance? Course you do, and for the perfect soundtrack to propel you into boogie-heaven, meet Reptar. 

Guaranteed to make you happy as a parsnip, the Georgia four piece have been brewing up a storm in the US with their EP Oblangle Fizz, Y’all. Produced with Ben Allen (Bombay Bicycle Club, Animal Collective) the four tracks are as catchy as nits. Bouncy beats, swirling synthesizers and bubble-gum pop vocals, the EP is brilliant.

Reptar – Blastoff from Ross Brubeck on Vimeo.

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Introducing… Zulu Winter

 

To quote Zoolander, (as one should always do in times of need),  Zulu Winter -so hot right now- Zulu Winter.

A bright new London quintet has arrived on the scene, primed, buffed and raring to set your head holes alight with pleasure. Barely 6 months old, the band have only recently popped their performing cherry, yet a spark so atomic has been ignited, suggesting this band are likely to rocket rather then crawl into the world’s attention.

Laced with rousing beats, soaring vocals and glistening synths Never Leave has all the ingredients of an indie master piece. Like The Vaccines before them, the term “one to watch” is sure to trail them, firmly clutched around one of their legs, like a delirious love-struck fool.

Zulu Winter will play their first headline show on November 1st at London’s CAMP basement, and their single Never Leave is due for release on the 7th.

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Bombay Blow-up Barfly

Returning from their US tour with Two Door Cinema Club to rave reviews and mass spluttering declarations of love for their third album, last night Bombay Bicycle Club played an intimate show at Camden’s Barfly.

Kicking off precedings was left to CBC’s current girl crush Lucy Rose who’s honeyed vocals and delicate lyrics snared the jam-packed crowd into silence, until requesting we ‘scream-a-long’ for her glorious track Bikes.

Submerged in smoke, BBC plunged into their set with Evening/Morning, the frenzied riffs igniting the crowd to move along the only way possible, vertically. Dipping in and out of I Had The Blues But I Shook Them Loose and Different Kind Of Fix the London lads seemed delighted by the crowd’s ability to sing back every lyric, despite the latter’s release barely 3 weeks ago.

Dedicating Lamplight to The Barfly for past gig memories, Jack, Jamie and Ed ripped through the monster-chords, pummelling their strings with such force you almost taste their grated fingertips.

Highlights of the night included the jaunty-jangly, catchy-as-hell Shuffle, new single Lights Out Words Gone and the set’s closing, Always Like This. 

After drawing in a near headling sized audience at Reading and Latitude, I was prepared for a squeeze in the ipod-sized venue, and although I was eating someone’s hair at one point and was caught inappropriate a few fair times with my fellow punters, the show was worth every misplaced elbow.

bombay bicycle club-lights out words gone by laxmasmusica

 

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